The Observer. 25 December 2016. That's the date Inspector Rupert Keeler's mind is etched on, the day when - through no fault of his own - those he loves are lost forever. A sea of colourful post-its and an app on his phone substitute for his short-lived memory. But how effective can a police officer be who can't remember what happened a few hours earlier? THE MURDERS. Seven days of creation, seven deadly sins, seven victims, or is it not? Either way, these murders seem to come from the same material that nightmares are woven from. And the medieval tortures of the Inquisition have evolved in the hands of the perpetrator into something far more sinister and morbid: art. His own art...
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